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酷客影视

欢乐英雄
中国大陆普通话1988
根据司马文森小说《风雨桐江》改编。    30年代初,在海外飘泊多年的党的地下工作者蔡老六回到故乡清源乡,见到了妻子玉蒜。夫妻正叙久别之情,玉蒜五岁的女儿红缎突然出现,蔡老六认为妻子不贞,一怒离家出走。玉蒜有苦难诉,以泪洗面。为民镇和上上木、下下木之间因宗族械斗,积怨极深。国民党保安司令派少校林雄模坐镇为民镇,与镇长吴为民之子吴添才相勾结,抓住了上上木的头领许三多和下下木的土匪头领许天雄的女儿许大姑。刑场上,许天雄带人劫了法场,救走许大姑,也放了三多。林雄模为久驻为民镇,帮助吴为民成立了乡团。蔡老六来到下下木,劝三多把下下木的枪队拉上青霞山,以山为依托发展壮大。三多举旗未定,这时,上上木传来吴添才攻打许天雄的枪声。蔡老六说服三多以大局为重,率队去救许天雄。三多应允,率枪队打跑了吴添才,许天雄虎口脱险,两家积怨逐渐消解。由于叛徒告密,蔡老六连夜逃往下下木。蔡老六从寡嫂苦茶处得知红缎的父亲竟是自己禽兽不如的爹时,他怒斥父亲,对深受苦难的玉蒜表示的深切的同情和关怀。此时,老六爹溜出家门,把自己的儿子出卖给了林雄模,自己拿了赏钱去抽大烟。蔡老六被林雄模砍了头。玉蒜把老六的头捧回家,安放在灵台上,披麻带孝站在一边。老六爹抽足了大烟回到家中,目睹这一切,老六爹抽足了大烟回到家中,目睹这一切,他发出一声惨叫,倒地气绝。玉蒜推倒烛台,任大火将这个家吞噬,她独自走向荒野。

酷客影视

洗牌
日本日语1981
典型的早期日式朋克电影,黑白影像+连续而晃动的手提摄影+朋克乐,石井当年就是以此片出道的。。。    This extremely hectic and nearly headache-inducing short by the Japanese punk demigod Sogo Ishii is definitely one of the craziest and most experimental art-house movies I ever had the pleasure of seeing on a big screen (during a special revolving on the director).    After the two hugely different but already influential long-feature films "Panic High School" and "Crazy Thunder Road", Ishii finally made the punk-short he clearly dreamed of making ever since the beginning. "Shuffle" is based on comic strip and doesn't really have a story to tell. The camera just very creatively follows a man as he's running out of his apartment and down the streets. He's running from the cops, because he murdered his girlfriend, but he's also running towards the pimp who stole her from him, for vengeance. 30 minutes of playtime only to depict a man running down some streets seems long, but Ishii somehow manages to make it fascinating by presenting a non-stop series of imaginative camera tricks, lighting techniques and unique sound-editing. The visuals are groundbreaking and far ahead of their time. The colors continuously fade out and back in, the camera is put in every possible perspective there is and the music is really loud and stimulating. "Shuffle" often looks like an exercise for Ishii's next big project "Burst City" and it definitely was a great source of influence for future Asian filmmakers like Takashi Miike and Shinya Tsukamoto. You can't really call it a great film, because there are almost no dialogs or character drawings, but it surely guarantees half a hour of adrenalin-rushing spectacle.

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